Description

In his style, Béla Czene found the direction of the Roman school early, who entered the 20th century as a realist and figural painter. In the creative style he studied at the College of Fine Arts between 1930 and 1933, he was attached to the direction of the Roman school from an early age. During his stay abroad, he began to adapt more and more to the Renaissance classical tradition, the art of Leonardo da Vinci and Domenico Ghirlandaio, and the Greco-Roman traditions. After World War II, there was a "turn" in his work, his attachment to the Roman school loosened, and he drew the themes of his paintings painted with special techniques from ordinary life.
However, he also painted a number of models, one of which is a female nude, "Female Nude with a Golden Rod." his act shows the orientation of the Roman school characteristic of the artist, as he highlighted the essential elements of reality in his painting, and then captures a model with a concise plastic endeavor and a healthy brushwork.

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